- David Melnick — A Pin’s Fee
- Mark Francis Johnson — In Order of Appearance
- Nora Collen Fulton — Presence Detection System
- John Paetsch — Ctasy
- Mark Francis Johnson — Sham Refugia
- Buffy Cain — in bloom
- Richard Dadd — Elimination of a Picture & its Subject—called The Fellers' Master Stroke
- Nicole Raziya Fong — 7 Series, Iterated by Color
- Christian Mack — “we fled the hills,” they said or, sophistry, heresy, hearsay
- Andy Martrich — agri-tech R&D heroics
- Tom Patterson — The Tom Patterson Years: Cultural Adventures of a Fledgling Scribe (Jargon 117)
- Chris Sylvester — Gain of Function
- Nathan Austin — a in e'er
- Craig Dworkin — Lagniappes
- Ruth Jespersen — Ruth Jespersen Reading From The Blink Of An Eye
- David Melnick — The 'Ought' of Seeing: Zukofsky's Bottom
- Raymond Moody — Slum Flower
- P.M. Doucé — Incredible Alliance
- Joe Matthew Singer — Selected Mother of Ashes Ephemera
- Josef Kaplan — Our Heavies
- midrib Archive
- Rejections of Eve Triem poems, 1962–1967
- Mark Klee — Mr. Mark's Unbearable Parables
- Sophia Marie Gabriel — The first fifty pages of Supernatural Visions of the Madonna (1981–1991)
- Ernest M. Robson — Shadows of the Voice Accompanying Cassette
- Andy Martrich — pegs
- Lara Durback — A LIZARD, A SMASHED SAFE, AND A PILLOW
- Nadia John — Here I Am Now, You Cordial Miss
- Luigi Pasotelli — Two chapbooks
- Clara B. Jones — Collected Grid Poems
- Joe Schmidt — A Lost Interview with Alvin Lucier
- Glenn R. Frantz — Animals
- Ruth Jespersen — Two Girls: A Chromatic Fantasy and Fugue
- Thomas Meyer — Corn Close Kitchen
- Bernadette Mayer — Two Thousand Journals
- Eddie Hopely — nap
- J. Gordon Faylor — Sebaceous Heph
- Edward Angelo Vellanti — To Be Continued... or Forgotten